Trades Club Hebden Bridge (2023)
Having met Amaury at a residency in France, a friend of ours, invited him to perform at the Trades Club, I produced visuals for the event using a mixture of his own material and my own
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I FEEL LIKE A BOMBED CATHEDRAL is a project from Amaury Cambuzat – founder of French avant garde experimentalists ULAN BATOR
Hope Chapel Hebden bridge (2023)
I produced visuals for the band Lines of Silence. An experimental kosmische band. They combine experimental analogue and digital electronics, to create an immersive, expansive and contemporary take on psychedelia.
MUSiK launch event (2019)
A three-screen video capturing photos, logos and videos of musicians, music events and groups around Kirklees who are involved in this new venture in preparation and part of Leeds Year of Culture 2023
Being at home (2018)
Being at home audio/visual installation the annual art at the house event in Shepley, West Yorkshire. This installation captured familiar sounds and images from the local area where the installation was exhibited. The sound and images were re-framed to create a non-linear and more challenging viewing experience using looped stop frame images and sampled sounds with multiple projections. The intention was that people living locally would experience the installation differently to those who do not
Haulage (2014)
‘Performance lecture’ presented at the Coal Mining Museum focussing on the rope that lifts and lowers the cages into the mine. A ‘VJ’ performance was created where video, audio recordings and photographs were mixed in the lecture to explain this important but often overlooked element of the coal mining industry.
The pit at the end of the road (2015)
Soundscape produced for the National Coal Mining Museum, West Yorkshire. The piece supported a painting exhibition between 2 February – 31 May 2015. The exhibition depicted Painter, Michael Milner’s personal recollections of coal mining. Most of the assets for the soundscape were recorded on-site. The soundscape created a sense of domestic place close to a pit during the 1960s and the brief was to resonate with the themes in the paintings without being too intrusive.
Jukebox (2010)
Experimental video, which segmented the viewing experience across three large 50 inch plasma screens.
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The audio channel also intermittently panned between the screens forcing the viewer to search for the syncronised audio and video. The triptych video had other textual and visual layers to add viewing complexity thus creating a more demanding viewing narrative. In four parts, the video documented a Jukebox manufacturer in Leeds, UK describing the story of music storage, jukebox manufacture and how these are entwined within a family run business.